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“When we were approached about a documentary on Amy,” said James Gay-Rees, Kapadia’s producing partner, “we would do it only if we could make the film we wanted to make, not a watered down sanitized version. AMY director Asif Kapadia ( SENNA ) spent two and a half years culling video: From Winehouse, giddy at 14 with her two best girlfriends, thru the first album when she was 17 to “Fade to Black” glory and five Emmys, followed by the inglorious end of drugs and drunkenness and her 2011 death of acute alcohol intoxication. It’s not a pretty picture and it’s not easy to forget for it’s as violent in its incessant, unstoppable ferocity as the disturbing sight of Winehouse drugged, drunk, disheveled, painfully thin and bruised trying to forge ahead. In AMY we repeatedly see the never-ending brutality of the assault – and there’s no other word for it – of the tabloid paparazzi, a mob of photographers who descend on a celebrity and shoot, their klieg light-like camera flashes and noisy shutters repeatedly and repeatedly suggesting a pack of wolves feasting on a defenseless fox. Jay Leno, David Letterman, Graham Norton are in AMY doing their sleazy best to be unsympathetic and we think not just of Winehouse but Lindsay Lohan, Charlie Sheen, so many others, who have also gotten the stick because, I guess, rich famous people should know better, should be able to get well and don’t deserve sympathy much less privacy, much less human kindness. AMY is sobering on many levels, not the least as an indictment of a culture that so easily makes sport, laughs and jokes and gets mileage about the tragedy of addiction, when as we see there’s nothing in the least funny about anyone incapable of being sober, straight or in control. Her real friends – manager Nick Shymansky and the two best female buds we see in home videos at 14-couldn’t sit by and watch what was happening once Winehouse’s demons began to change everything. AMY with compassion and candor shows there’s nothing pretty about being an addict, no matter how rich, how famous, how talented you might be. But for the singer/songwriter who died at 27 in 2011 AMY offers a portrait of a cheeky British girl with an oversized talent, a big heart and the kinds of insecurities that eventually destroyed her. AMY rates as a re-evaluation of Amy Winehouse whose soaring showbiz trajectory seems on the surface like another cautionary tale of too much too soon.
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